![]() ![]() Still, Reeves’ and Pattinson’s vision of the Batman as a Hamlet-like heir unable to move past the primal shock of his parents’ murder has a certain emotional power. If this all sounds too angsty to tolerate, The Batman is not without flashes of intentional and often effective humor, usually relegated to the villains: In one otherwise tense confrontation, Farrell’s Penguin delivers a non-sequitur putdown about Batman’s grasp of foreign-language grammar that had the audience on the floor. The simple but effective soundtrack depends heavily on two recurring musical themes: Franz Schubert’s “Ave Maria,” often transformed by composer Michael Giacchino into a minor-key dirge, and Nirvana’s plaintive ballad “Something in the Way,” used as a kind of leitmotif for Pattinson’s Kurt Cobain-esque hero. ![]() ![]() Especially in a few enigmatic early sequences, the rain-glazed streetscapes and neon-lit diners recall the lonely universe of an Edward Hopper painting. Though The Batman’s vision of Gotham as a run-down, amoral dystopia borrows some imagery from Christopher Nolan’s Dark Knight series, Reeves also brings his own visual flair to the material. Netflix’s Smuttiest Show Has Some Very Peculiar Ideas About the Male Anatomy This F1 Season Has a Clear Archvillain-and a Hero on the Rise The Last of Us Does Something No Other Post-Apocalyptic Show Does.(They also share a taste for black leather, which never hurts.) Michelle Pfeiffer in the Burton series) than aggrieved survivor of a brutal childhood, making her a persuasive soulmate for Pattinson’s extra-goth Gothamite. Kravitz’s take on the feline antiheroine is less slinky predator (cf. To break up the sausage party, there is also the welcome presence of Zoë Kravitz’s Selina Kyle, a woman with a tragic past who works as a bottle-service girl at the Penguin’s nightclub when not prowling Gotham’s alleys as Catwoman. In addition to Dano’s Riddler, Gotham’s complex web of crime and corruption includes menacing mob figures like John Turturro’s Carmine Falcone, cowardly city-government middlemen like Peter Sarsgaard’s compromised district attorney, and a truly unrecognizable Colin Farrell (as in, I had no clue it was him until the closing credits) as the Penguin, a portly, insecure crime-boss-in-the-making. True to its everything-but-the-kitchen-sink aesthetic, The Batman is also overstuffed with antagonists. Thanks for signing up! You can manage your newsletter subscriptions at any time. ![]()
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